More than 30 works of art by UT students are on display in the 2017 Juried Student Exhibition in the Center for the Visual Arts Gallery on the University’s Toledo Museum of Art Campus.
An opening reception and award ceremony will take place Thursday, March 16, from 6 to 8 p.m. in the gallery.
This year’s juror is Clara DeGalan, who was born and raised in Detroit. She attended the Detroit High School for the Fine and Performing Arts, earned a bachelor of fine arts degree at the University of Michigan, and a master of fine arts degree in painting at Wayne State University. She teaches drawing and painting at Wayne State University and Madonna University, and writes art criticism for Detroit Art Review and InfiniteMile Detroit.
The awards ceremony will coincide with the Arts Commission 3rd Thursday Loop as the Center for the Visual Arts is one of the galleries on the route.
The free, public exhibition will be on display through Friday, March 24. Gallery hours are Monday through Saturday from 9 a.m. to 9 p.m. and Sunday from 10 a.m. to 9 p.m.
For more information on the exhibition, contact Brian Carpenter, UT gallery director and lecturer in the Art Department, at firstname.lastname@example.org.
A recent review from the exhibition,
“Heterogeneous: States of American,” Josh Byers, David Cuatlacuatl, and Faith Goodman @ River House Arts
curated by Brian Carpenter and the Contemporary Art Toledo exhibition that is currently up at River House Arts (featuring UT Art Department alumna Faith Goodman).
Just wanted to share the release of the Nat.Brut article featuring Beryl Satter’s essay and art work from the CVA’s gallery exhibition Piece it Together.
© Mysoon Rizk, PhD / November 2016
On November 3, 2016, a colleague and I drove six students for an hour and a half to Oberlin, Ohio, to hear African-American artist Fred Wilson (b.1954) speak about his work on the occasion of two exhibitions he installed this past year at Oberlin College’s Allen Memorial Art Museum in this small college town (my alma mater). We were already familiar with the artist, each one of us having often admired his black glass sculpture Iago’s Mirror (2009), acquired by the Toledo Museum of Art (TMA) in 2010 — and currently on view in the TMA’s Gallery 6 for the temporary exhibition Shakespeare’s Characters: Playing the Part. Listening to a talk by the 1999 recipient of a John D. and Catherine T. MacArthur Foundation’s “genius” grant was inspiring and exciting. Getting to see his work in both a solo exhibition (Fred Wilson: Black to the Powers of Ten) and in the site-specific installation Wildfire Test Pit was amazing.
As a generous, instructive, insightful orator, Fred Wilson was spectacular, sharing slides as he described an artistic trajectory and longtime interest in understanding museums through their collections (“what’s there, what’s not there”). Starting out by invitation from the Maryland Historical Society, his attention began training on the Atlantic slave trade, the Indian slave trade, and movements of oil — or as he came to call such dynamics, Movement of Blackness. Giving form to institutional memory by “mining” museum collections, Wilson would feature decommissioned possessions, like slave shackles or a public whipping post, side by side with an institution’s finest silver and furniture. He spoke about installing over 50 portraits of Daniel Webster at the Hood Museum, in Dartmouth College, at the same time as a series of plaster cast busts identifying human specimens from around the world. In the case of the latter, Wilson hid racial inscriptions with sashes of mourning, to encourage viewers to see them as people, including a cast of Ota Benga, the Congolese youth exhibited at the World’s Fair in St. Louis, Missouri, in 1904 who would end up committing suicide in Virginia 12 years later.
In mining the Allen Memorial Art Museum at Oberlin, Mr. Wilson found himself magnetized by Edmonia Lewis whose story “remains obscured by rumor and mystery” as one scholar puts it. An orphan of African-American and Native-American heritage from New York, Lewis began to study art at Oberlin College in 1859. A few months after the Civil War had begun, she was accused of poisoning two (white) friends, beaten by a mob, arrested, and tried. Although acquitted, she remained a target and eventually left without graduating. Heading to Boston, she secured further artistic training, before taking up residency in Rome, Italy for a few years, where Lewis enjoyed success for her marble statuary. After returning to the States she disappears from the historical record. Wilson called the nineteenth-century sculptor a “guiding light” for his site-specific installation at the Oberlin museum, which he entitled Wildfire Test Pit for the Indian name given to Edmonia Lewis and the “archaeological term for a site you dig to see what’s there.”
Our field trip to Oberlin proved intensely rewarding, inspiring reflection long afterward: on the creative process, erasure and exclusion, the construct of race as well as concepts of time or memory, the roles of museums in compressing histories, individuals recorded and those forgotten, objects acknowledged and those to be buried. In the coming weeks, students will be sharing their own thoughts about the opportunity to hear from a practicing contemporary artist and to experience the work firsthand. Please stay tuned! Fred Wilson’s work remains on view at the Allen Memorial Art Museum until June 2017.
The University of Toledo student artwork to appear on area digital billboards January – February, 2016
In collaboration with Lamar Outdoor Advertising, University of Toledo Department of Art students have been invited to display their work on digital billboards throughout the Toledo area. Many students submitted entries. The works chosen will be on display until the end of February 2016.
Assistant professor of art, Barry Whittaker, who coordinated the project, says this is the fourth year UT art students have been invited to have their work displayed. To see the images in this year’s exhibition, visit the online photos album “UT Art Student Billboards 2016” on Facebook.
Student artists participating in this year’s exhibition:
Visit the UT Department of Art at http://www.utoledo.edu/comm-arts/art/index.html
The billboards can be found at: Reynolds Road/Corner of Glendale, The Anthony Wayne Trail at City Park, The corner of Alexis and Lewis, Monroe Street/Corner of Laskey, Byrne Road/Airport Highway, Monroe Street/West corner of Douglas, and Erie at Monroe
University of Toledo to present Sartre’s NO EXIT
The University of Toledo Department of Theatre & Film, will present its production of philosopher Jean-Paul Sartre’s existentialist play, NO EXIT, in February. The play will be directed by UT Theatre student, Andrés Medina.
Performances are Friday, February 19 through Sunday, February 21, and Friday, February 26 through Sunday, February 28. All performances will start at 7:30 p.m., except for Sundays which are at 2 p.m.
NO EXIT written by Jean-Paul Sartre, takes place in hell where three souls are mysteriously placed in the same room. There they are trapped together for eternity, where they begin to realize the binding force keeping them there, is one from within. During the course of the play the characters reflect on their past, and share all of the unforgivable things they have done throughout their lives. The classic theme, “Hell is other people,” is presented as the story begins to unfold.
Medina says he is excited to explore the play’s theme of life after death and intrigued by Sartre’s philosophy. “Everybody wonders about death and the meaning of life. I was also interested in Sartre’s philosophy that human beings supply meaning to the big questions of life and death out of their own experience of each.”
The set will be minimalist says, Medina. “Especially with this kind of play, I prefer to rely on movement, on the actors and their characters, to captivate the audience and hold their interest.”
Medina is a UT senior majoring in Theatre. While NO EXIT is his directorial debut, he assistant directed the UT productions of “Cabaret” and “The Adding Machine.” “The Adding Machine” was invited to be performed at the 2015 Kennedy Center American College Theatre Festival, Region 2. He was also the Assistant Stage Manager for UT’s production of “Orpheus.” Professionally, he served as the Stage manager for the Glacity Theatre Collective’s production of “House of Vinyl.”
On stage, Medina has played roles in various UT-produced plays such as “Twelfth Night,” “Miss Julie,” “Cabaret,” “Out to Lunch,” “Ghost Light,” “Three Sisters,” “Metamorphoses,” and “A Midsummer Night’s Dream.” His professional acting credits include a role in Glacity Theatre Collective’s “Nightmares Come in Threes.”
Prices for performances of NO EXIT are: $8 – Students, Children; $10 – Seniors (60+), Military, UT Faculty/Staff/Alumni; $15 General Public. To purchase tickets or for more information on this event, visit www.utoledo.tix.com or call 419.530.ARTS (2787)
· “Garcin” Davion T. Brown (double-majoring in Theatre and Communication at UT, senior)
· “Inez” Olivia M. Pierce (majoring in Theatre and minoring in Art at UT, junior)
· “Estelle” Christina M. Pinciotti (majoring in Theatre and minoring in Communication at UT, junior)
· “Valet” Reshi Phillips (double majoring in Theatre & Film at UT, sophomore)
For more information about other events presented by the UT College of Communication and the Arts and its programs, visit www.utoledo.edu/cocaevents.
UT to present two concerts on the TMA Great Performances in the Great Gallery Series – February 14 and 21February 9th, 2016
UT to present two concerts on the Toledo Museum of Art Great Performances in the Great Gallery Series – February 14 and 21
The Toledo Museum of Art Great Performances in the Great Gallery series will include two performances – one featuring University of Toledo students and another featuring UT faculty and internationally-acclaimed baritone, Ryan De Ryke.
Sunday, February 14 at 3 p.m. voice and piano students from the UT Department of Music will perform a range of selections from operas and favorite vocal music. The following Sunday, February 21 at 3 p.m., UT professor of piano, Dr. Michael Boyd and De Ryke will perform a program of art song. Highlights from the program include Schumann’s “Dichterliebe” and a cycle of songs by The Smiths arranged by Ryan. Admission to both concerts is free and open to the public.
Current professor of piano at UT – Dr. Boyd received his undergraduate degree from the Wisconsin Conservatory of Music, and his master’s and doctoral degrees from Eastman School of Music. Over the years he has given many solo recitals across the country and internationally.
Baritone Ryan De Ryke has studied at the Peabody Conservatory, the RAM, and the National Conservatory of Luxemburg. Aside from his recital career De Ryke is also a regularly traveling soloist in various oratorios. He has worked numerous operatic roles, and has had the opportunity to work with a variety of different groups such as the Haymarket Opera, El Paso Symphony Orchestra, and the Chamber of Chicago.
For more information on these events, visit the museum’s website at http://www.toledomuseum.org/calendar/
For information on other UT arts events, visit http://www.utoledo.edu/cocaevents/index.html
Meet our special guest, Grammy Award-winning Jazz pianist, composer and arranger, Bill Cunliffe! Bill is our guest artist for the 2016 Art Tatum Memorial Jazz Scholarship Concert, Monday, February 15 at 7 p.m. in the UT Center for Performing Arts Recital Hall.
Cunliffe, who is known for his innovative and swinging recordings and compositions, began his career as pianist and arranger with the Buddy Rich Big Band. He has worked with Frank Sinatra, Joe Henderson, Freddie Hubbard, Benny Golson and James Moody, to name a few. He has since established himself as a solo artist and bandleader, with more than a dozen albums under his name.
Bill currently plays with his trio; his big band; his Latin band, Imaginación; and his classical-jazz ensemble, Trimotif. He performs in the U.S. and around the world as a leader and sideman as well as a soloist with symphony orchestras.
His latest recording is the Bill Cunliffe Trio album “River Edge, New Jersey,” with bassist Martin Wind and drummer Tim Horner, released in April by Azica Records.
Advance tickets are $15 for general admission; and $10 for all UT faculty/staff/alumni/students, seniors 60+ and members of the military. Visit www.utoledo.Tix.com or call 419.530.ARTS (2787). Tickets also available at the door. To support the Art Tatum Scholarship, visit https://www.utfoundation.org/foundation/home/Give_Online.aspx