Congratulations to CAL/SVPA faculty, Dan Hernandez, Thor Mednick, Denise Ritter-Bernardini, Stephen Sakowski, and Matt Yockey on being recognized in 2018 as faculty making Outstanding Contributions in Scholarly and Creative Activity. President Sharon Gaber and Provost Andrew Hsu sponsor the special recognition and the arts faculty received 20% of the University-wide awards.

Daniel Hernandez, MFA, Art Studio
Daniel Hernandez is represented by Kim Foster Gallery in New York, New York. Dan’s work is also found in Private and gallery collections nationally and internationally, including: Private Collection, Beth Rudin DeWoody, New York, Florida; Coleccion SOLO, Madrid, Spain – Colección SOLO is a dynamic and passionate quest to champion contemporary art. It is a vibrant, international collection, driven by a genuine commitment to creativity and the desire to bring inspirational artworks to the widest possible audience; Private Collection, Pierre Donnersberg, Paris, France; Gary Snyder Fine Art, New York; Private Collection, Phillippe Escaravage and Charlotte Forbes, New Jersey; Private Collection, Richard and Nadine Woldenberg, Chicago; Private Collection, Eric & Staci Flatt, New York; and Private Collection, Joseph & Beth DiProspero, London.
Hernandez’s paintings explore the visual dialog between religion, mythology, and pop culture. He is represented by Kim Foster Gallery in New York City. His work is exhibited widely in solo and group exhibitions and has been written about in a number of publications including ARTnews, HyperAllergic, Artillery Magazine, Arte Fuse, Gizmodo, Der Spiegel. Dan was selected for an Ohio Arts Council Individual Excellency Award in 2011 and in 2015. Dan Hernandez creates intricate tableaux that blend religious iconography with the contemporary visual language of video games, two genres which somehow collapse seamlessly together in farcical send-ups of culture and society.

Thor Mednick, PhD, Art History
Thor Mednick specializes in the art of nineteenth-century Denmark, he has published on painters such as P.S. Krøyer and Vilhelm Hammershøi, and on the relationship of agricultural reform to nineteenth-century Danish landscape painting. He is the co-curator of From the Golden Age to the Modern Breakthrough: Danish Paintings from the Collection of Ambassador John L. Loeb, Jr. (New York, 2013) and Jorforbindelser: Dansk maleri 1780-1920 og det antropocene landskab (Denmark, 2017-2019).He is a former Fellow of the American-Scandinavian Foundation, the Ambassador John L Loeb, Jr Foundation, and the American Philosophical Society, and a legatee of the Danish Ministry of Culture. He has been a Visiting Scholar at the University of Copenhagen and the University of California at Los Angeles, and a Visiting Professor at Fuglsang Museum and Faaborg Museum, in Denmark.
In 2017, Mednick was invited by Dr. Karina Lykke Grand, Assistant Professor of Art History at Aarhus University, to be the international consultant on a major research project on art and national identity in nineteenth-century Denmark. The project has been given a grant of more than $1,000,000 (US) to support Dr. Grand, a doctoral student, a post-doc, and travel and research expenses for Mednick and another scholar from the University of Copenhagen. The grant comes from The Independent Research Fund, within the Danish Ministry for Higher Education and Science.

Dr. Denise Ritter Bernardini, PhD, Voice
Denise appears on both the concert and opera stage in music of many periods. She is known for her ability to sing a variety of styles, her brilliant high notes, pure tone, communicative warmth and musical intelligence. She has been a performer throughout the US with extensive Oratorio experience under the batons of world renowned conductors such as Robert Shaw and John Rutter. Her recent oratorio performances have included Verdi’s Requiem, Handel’s Messiah, Pergolesi’s Magnificat, Bach’s Missa in A Major, Dvorak’s Te Deum, and Mozart’s Requiem.
In addition, she has performed with orchestras such as Fort Worth Symphony, Tulsa Symphony, Fort Wayne Philharmonic, the Symphony of Bartlesville, Oklahoma, Oklahoma City Symphony as well as many other symphonic organizations. Denise’s operatic roles include her recently performed Mother in Amahl and The Night Visitors, La Traviata in Charlottesville Virginia as Violetta as well as with Master Works Festival.
Denise has been a soloist in prestigious venues such as Carnegie Hall with the New York Pops as well as the Actor’s Club in New York. A recent performance of her one-woman classical cabaret show took her to Leibnitz, Austria where she performed for the International University of Global Theater to an audience representing thirty-two different countries.
Stephen Sakowski, MFA, Theatrical Lighting
Stephen Sakowski has worked as the Lighting Director or Assistant Lighting Director for the major entertainment/arts events listed above. His event and television lighting work, recognized at the highest level of production, is transferred to his university productions as well.
Stephen has served as the Lighting Director/Assistant Director for the NBA All-Star Games. The National Basketball Association, (NBA) is a leading sports organization with an All-Star Game viewing audience of 7.175M in 2015, 7.614M in 2016 and 7.751M in 2017, respectively. Lighting for these half-time performances have been for some of the most internationally-known performers, including: Cirque du Soleil, Sting, The Roots, and John Legend.
Stephen has also won awards for his lighting design associated with The Kennedy Center American College Theater Festival, (KCACTF). KCACTF is a national theater program involving 20,000 students from colleges and universities nationwide annually. For 47 years, the organization has served as a catalyst in improving the quality of college theater in the United States. KCACTF has grown into a network of more than 700 academic institutions throughout the country. The regional groups are funded and administratively support by the Kennedy Center.
Matt Yockey, PhD, Film Studies
Yockey’s research focus is on Hollywood genres and fan studies. His essays on these topics have appeared in journals such as The Iowa Journal of Cultural Studies, The Velvet Light Trap, CineAction, Transformative Works and Cultures, Journal of Fandom Studies, The European Journal of American Studies, and Studies in Comics, as well as the anthologies Critical Approaches to the Films of M. Night Shyamalan (Palgrave Macmillan, 2010), Superhero Synergies: Comic Book Characters Go Digital (Rowman & Littlefield, 2014), and The X-Men Films: A Cultural Analysis (Rowman & Littlefield, 2016). His monograph on the 1960s Batman television series was published by Wayne State University Press in 2014. He is the editor of the anthology Make Ours Marvel: Media Convergence and a Comics Universe (University of Texas Press, 2017).
Matt’s writings on culture and film can be found journals such as, the European Journal of American Studies and the Iowa Journal of Cultural Studies, and in book chapters published by such notable presses as, the University of Texas Press, Wiley Blackwell, Rowman & Littlefied, and Palgrave Macmillan. Matt also has an extensive listing of professional paper presentations.