UT School of Visual & Performing Arts

Posts Tagged ‘art’

Art by UT students in spotlight at juried exhibition

More than 30 works of art by UT students are on display in the 2017 Juried Student Exhibition in the Center for the Visual Arts Gallery on the University’s Toledo Museum of Art Campus.

An opening reception and award ceremony will take place Thursday, March 16, from 6 to 8 p.m. in the gallery.

“Girl With Meat” by Clairissa Martin, right, and “Political Balance” by Valerie White are included in the 2017 Juried Student Exhibition.

This year’s juror is Clara DeGalan, who was born and raised in Detroit. She attended the Detroit High School for the Fine and Performing Arts, earned a bachelor of fine arts degree at the University of Michigan, and a master of fine arts degree in painting at Wayne State University. She teaches drawing and painting at Wayne State University and Madonna University, and writes art criticism for Detroit Art Review and InfiniteMile Detroit.

The awards ceremony will coincide with the Arts Commission 3rd Thursday Loop as the Center for the Visual Arts is one of the galleries on the route.

The free, public exhibition will be on display through Friday, March 24. Gallery hours are Monday through Saturday from 9 a.m. to 9 p.m. and Sunday from 10 a.m. to 9 p.m.

For more information on the exhibition, contact Brian Carpenter, UT gallery director and lecturer in the Art Department, at brian.carpenter@utoledo.edu.


Review of the “Heterogeneous: States of American,” exhibition curated by Brian Carpenter

A recent review from the  exhibition,

“Heterogeneous: States of American,” Josh Byers, David Cuatlacuatl, and Faith Goodman @ River House Arts

 curated by Brian Carpenter and the Contemporary Art Toledo exhibition that is currently up at River House Arts (featuring UT Art Department alumna Faith Goodman).

https://loranitude.wordpress.com/tag/toledo-contemporary-art/


“Piece it Together” exhibition review article published in natbrut

Just wanted to share the release of the Nat.Brut article featuring Beryl Satter’s essay and art work from the CVA’s gallery exhibition Piece it Together.

http://www.natbrut.com


Fred Wilson Field Trip

© Mysoon Rizk, PhD / November 2016

On November 3, 2016, a colleague and I drove six students for an hour and a half to Oberlin, Ohio, to hear African-American artist Fred Wilson (b.1954) speak about his work on the occasion of two exhibitions he installed this past year at Oberlin College’s Allen Memorial Art Museum in this small college town (my alma mater). We were already familiar with the artist, each one of us having often admired his black glass sculpture Iago’s Mirror (2009), acquired by the Toledo Museum of Art (TMA) in 2010 — and currently on view in the TMA’s Gallery 6 for the temporary exhibition Shakespeare’s Characters: Playing the Part. Listening to a talk by the 1999 recipient of a John D. and Catherine T. MacArthur Foundation’s “genius” grant was inspiring and exciting. Getting to see his work in both a solo exhibition (Fred Wilson: Black to the Powers of Ten) and in the site-specific installation Wildfire Test Pit was amazing.

As a generous, instructive, insightful orator, Fred Wilson was spectacular, sharing slides as he described an artistic trajectory and longtime interest in understanding museums through their collections (“what’s there, what’s not there”). Starting out by invitation from the Maryland Historical Society, his attention began training on the Atlantic slave trade, the Indian slave trade, and movements of oil — or as he came to call such dynamics, Movement of Blackness. Giving form to institutional memory by “mining” museum collections, Wilson would feature decommissioned possessions, like slave shackles or a public whipping post, side by side with an institution’s finest silver and furniture. He spoke about installing over 50 portraits of Daniel Webster at the Hood Museum, in Dartmouth College, at the same time as a series of plaster cast busts identifying human specimens from around the world. In the case of the latter, Wilson hid racial inscriptions with sashes of mourning, to encourage viewers to see them as people, including a cast of Ota Benga, the Congolese youth exhibited at the World’s Fair in St. Louis, Missouri, in 1904 who would end up committing suicide in Virginia 12 years later.

In mining the Allen Memorial Art Museum at Oberlin, Mr. Wilson found himself magnetized by Edmonia Lewis whose story “remains obscured by rumor and mystery” as one scholar puts it. An orphan of African-American and Native-American heritage from New York, Lewis began to study art at Oberlin College in 1859. A few months after the Civil War had begun, she was accused of poisoning two (white) friends, beaten by a mob, arrested, and tried. Although acquitted, she remained a target and eventually left without graduating. Heading to Boston, she secured further artistic training, before taking up residency in Rome, Italy for a few years, where Lewis enjoyed success for her marble statuary. After returning to the States she disappears from the historical record. Wilson called the nineteenth-century sculptor a “guiding light” for his site-specific installation at the Oberlin museum, which he entitled Wildfire Test Pit for the Indian name given to Edmonia Lewis and the “archaeological term for a site you dig to see what’s there.”

Our field trip to Oberlin proved intensely rewarding, inspiring reflection long afterward: on the creative process, erasure and exclusion, the construct of race as well as concepts of time or memory, the roles of museums in compressing histories, individuals recorded and those forgotten, objects acknowledged and those to be buried. In the coming weeks, students will be sharing their own thoughts about the opportunity to hear from a practicing contemporary artist and to experience the work firsthand. Please stay tuned! Fred Wilson’s work remains on view at the Allen Memorial Art Museum until June 2017.


UT Art faculty member work accepted to international juried exhibition

deborloffwinner
Deborah Orloff, Professor of Art and Associate Chair of the Department of Art at The University of Toledo, has just been chosen to exhibit her new work in “Macro” an internationally juried exhibition at New York City’s Jadite Gallery. She also won a second place award from the New York Center for Photographic Art for the piece, and will have the work published in the exhibition catalog. The competitively selected exhibition was curated from an international pool of over 500 entries and will open April 21st. The attached diptych is from her current body of work, “Elusive Memory.”
In addition, 6 of Orloff’s large-scale photographs from this series were recently selected for a curated exhibition at the Riffe Gallery in Columbus, Ohio, opposite the State House at Capitol Square. The group show, “Earthly Delights,” will feature 10 artists’ photographic work and run August 4 – October 8. Five other large-scale pieces from “Elusive Memory” are currently on view at the Toledo Museum of Art Library in UT’s Center for Visual Arts through the end of the semester.
Samples of Orloff’s work can be seen on the web at DeborahOrloff.com  and Deborah Orloff: Elusive Memory http://www.deborahorloff.com/ElusGal.html
Artist’s Statement:
Elusive Memory
“In America, the photographer is not simply the person who records the past, but the one who invents it.” – Susan Sontag
Do you really remember your past, or have you simply seen the photographs so many times, you believe you retain those memories? The relationship between photography and memory is complicated; it is dubious at best. I have always been fascinated with family photos and have collected them most of my life. Recently, I’ve been drawn to the abandoned pictures that were relegated to my parents’ basement. These once precious objects have been neglected and forgotten. Inadvertently exposed to water, heat, and humidity, they have undergone a powerful transformation. This new work utilizes these severely damaged pictures as subject matter. Elusive Memory explores the significance of vernacular photographs as aesthetic objects and cultural artifacts. The resulting large-scale photographs make commonplace objects monumental and emphasize their unique details. In their final representation, these banal objects become simulacra of loss and speak eloquently to the ephemeral nature of memory.
Bio
Deborah Orloff has run the Photography area at the University of Toledo‘s Center for Visual Arts and exhibited her artwork internationally for more than 20 years. She has won numerous awards for both her artwork as well as her teaching. She received her MFA in Photography from Syracuse University and her BFA from Clark University. Her work has been included in over 100 exhibitions at national and international venues that include: the Whitney Museum of American Art in New York City, and the Royal Scottish Academy in Edinburgh, Scotland. Orloff’s new work, Elusive Memory, was recently selected for inclusion in the Museum of Contemporary Photography’s collection as part of their Midwest Photographers Project.
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Contact:
Deborah Orloff
419-530-8314 (office) or 419-882-7631 (home)

 


The University of Toledo Department of Art welcomes two guest artists Holly Branstner and Dan McInnis to Center for the Visual Arts

The University of Toledo Department of Art has invited two guest artists to campus to exhibit their work this month. Holly Branstner and Dan McInnis will also visit with art students and speak about their work in two public lectures (TBA). Branstner’s work will be on display in the Main Gallery January 11 through February 14. McInnis’ work will be shown in the Clement Gallery January 18-February 20.
 
Art patrons have their choice of two opening receptions for Branstner’s exhibit of paintings and sculptures, BLACK NOISE—Thursday, January 14 from 6 to 9 p.m. and Thursday, January 21 from 5 to 9 p.m. in the UT Center for the Visual Arts. McInnis’ photography exhibit will open with the January 21 reception, which will also coincide with the Arts Commission 3rd Thursday Loop. The CVA is a featured stop on the bus route for the loop.
 
BLACK NOISE focuses on a series of moody and abstracted depictions and less obvious visions that begin with what remains of the industrial landscapes of Detroit’s River Rouge and the periphery of Toledo. Her work, often regardless of its subject, is always a reflection of her youth and subsequent summers spent at an idyllic Lake Louise in northern Michigan and her intimate, wrestling, and nostalgic relationship with the attracting complexities of Detroit, its surrounds, and Toledo, Ohio where she now lives.
 
Her work is in the permanent collections of the Detroit Institute of Arts, the University of Dayton, the University of Evansville, and Crown Equipment Corporation as well as in the personal possession of many private individuals. She has received numerous awards for her work, including three individual artist grants from the Michigan Council for the Arts and a Canaday Award from the Toledo Museum of Art. Recently she has served as an artist-in-residence at the University of Dayton where her work continues to be regularly shown in the context of exhibitions of American art from the Dicke Collection. 
HollyBranstnerIndusWatercolor (1)

Source: Holly Branstner

Holly

Photographer Daniel McInnis, currently living in Perrysburg, is originally from upstate New York. He received his BFA in Film, Photography and the Visual Arts at Ithaca College’s Roy H. Park School of Communications. He has an MFA in photography from Savannah College of Art and Design where he studied with Craig Stevens. Dan has taught as a professor of both photographic practice and history at Ithaca College, The American University of Dubai, John Jay College of Criminal Justice (CUNY), School of Visual Arts (SVA) and Wittenberg University.
 
His work entitled “Heidi and Lily, Ohio, 2014” was selected as a finalist and shortlisted piece for the prestigious 2016 Outwin Boochever Portrait Competition at the National Portrait Gallery, Smithsonian Institution. This same work was chosen for Third Prize in the 2015 Photo Review competition, juried by Lawrence Miller.
 
HeidiNLilyMcInnis

Source: Dan McInnis

DSC_0128DanMcInnis


The University of Toledo Department of Art students to exhibit at annual ‘Tis the Secor Holiday Exhibition – December 12

More than 20 advanced students from the University of Toledo’s Concepts in Art, Studio and Theory course will exhibit their work at the annual holiday exhibition – ‘Tis the Secor, Saturday, December 12. The event features work from the community of artists who maintain studio space inside the historic Secor building as well as 30+ vendors offering handmade goods and crafts for holiday shopping at the Market Place area. Live music will fill the air as local bands perform throughout the night. Admission is free.

The students’ unique and personal practices explored current and complex issues through a diversity of works ranging from sculpture, photography, design, and ceramics. Spanning the mystical, ideological and political, the exhibition is the culmination of each student’s investigation into both the practice and theory of their chosen subject.

The Concepts in Art, Studio and Theory (C.A.S.T.) course prepares studio art majors for their Bachelor of Arts degree through an exploration of what it means to construct a creative and meaningful life as an individual focused on the arts. The course provides an experiential and creative forum that is bound by theories and practices of contemporary art, inspired by visiting artists, and embedded in the Toledo art community. It is in this context that emerging artists hone previously acquired skills and knowledge to create self-directed works of art based on concepts, research, and class critiques. These works of art are at the center of this exhibition.

’Tis the Secor Facebook page
https://www.facebook.com/events/172608433084158

Concepts in Art, Studio and Theory (C.A.S.T.) EXHIBITION
Saturday, December 12th / 5pm – 11pm [one night only]

Secor Building [6th floor of the Secor Building]
Room 650 and 645
425 Jefferson Avenue Toledo Ohio

Contact: Brian Carpenter | Brian.Carpenter@UToledo.edu


Art History professor recognized for assessment expertise

At the April 1, Assessment Appreciation Lunch, Dr. Mysoon Rizk, Associate Professor of Art History, received the Academic Program Award for excellence in assessment. This is the second year running that professor Rizk has been recognized for this achievement. The Art History program was nominated this year due to the strong assessment measures its faculty employ to determine how and what students are learning, and the clarity with which they link those measures to the results and subsequent actions they take in response to the results received. To do this, the Art History faculty designate particular assignments, which are then evaluated against a common rubric. The results are totaled, and shared with all faculty, who meet together to determine if any results are lower than expected, and what should be done to address any such result.


Art Imitates Space: UT Department of Art at Ritter Planetarium

universe

Image of space by Xueling Zhao

The University of Toledo Department of Art will be among the stars this spring, beginning Tuesday, April 14 in Ritter Planetarium. As part of the Planetarium program “Stars: Powerhouses of the Universe,” photographs made by students will be on display in the lobby gallery and on the dome as well.

The exhibition, titled “Faux Space,” is the third such photo show at the planetarium. The image on display were made in the Department of Art’s Fall 2014 introductory photo course, ART 2030: Photography, taught by Professor Deborah Orloff. Students were challenged to create photos that evoke a sense of space – in the extraterrestrial sense. They used a diverse range of materials to create their images including food, toys, pots, glitter, fire, lasers, smoke, and oils. All images were made with a DSLR camera; they are not computer-generated or taken from space.

The gallery images will be on display throughout the summer whenever Ritter Planetarium is open to the public.

Student artists featured in the exhibition include:
Shalissa Bailey, Jamie Campbell, Andrea Fackelman, Emily Frank, June Galvin and Danielle Hedger; Qiong Jia, Leanne Jones, Chariti Lockhard, Nicelle McCuchen, Kathlynn Meyer and Kayla Perez; Alexandra Ray, Daniel Rivera, Madison Roy, Jamie Snyder, Drew Tansel, Chelsea Thompson, Xueling Zhao and Yue Zhao.


Summer exhibit features the work of UT photography faculty

From Eric Zeigler's Still Photographs ExhibitThe work of Eric Zeigler, who teaches photography and new media at The University of Toledo, is the subject of a photo exhibition on display now at The UT Center for the Visual Arts, Clement Gallery. This free exhibition is open daily from 9 a.m. to 8 p.m. and will be up throughout the summer.

Zeigler says the photos were a happy byproduct of pursuing other photography projects. As such, the photos cover a broad range of subject matter from a damaged car whose missing front end allows it to slip neatly into its unusual parking space, to images of outdoor scenes that will have you asking curiously, “what is that?”

More information about Zeigler and his work can be found on his artist’s web site at http://ericzeigler.com/

Visit the UT Department of Art at www.utoledo.edu/comm-arts/art/index.html

Eric Zeigler
Photography & New Media Faculty
The University of Toledo, Department of Art
Eric.Zeigler@utoledo.edu
419.530.8300