Andrea Price and her artwork, “Not My Art History,” 2019.

The UToledo Department of Art is proud to feature our alumni who are supporting inclusion and diversity in their careers and artistic activities.

Artist Andrea Price, BFA ’19, resists an accepted Eurocentric perspective of art and beauty that represents people of color in positions of oppression. In her opinion, historical images of slaves that are considered beautiful are nothing more than the representations of black people created by those who colonized and enslaved them. Seeing these images in an art history class awakened a passion in Price to contribute to a new vision. “My heart literally broke, and I got angry because,” she asked, “why is the esteem that we hold in art attached to European views of what art should look like? That really began my journey to decolonize, to think … how can we create art that involves everyone; where I see myself in a piece of art; where other people of color can see themselves and know that they’re beautiful; and it’s not through the perspective of our white comforts?” Price told SHELOVES Magazine.

“Get You Some Sensitivity, Thanks” 2019, Andrea Price

Price creates art that denies those representations and introduces a different perspective that celebrates artistic diversity. Using drawing, painting, printmaking, photography and fiber art, Price weaves a new image of the African American experience through these media, focusing her work on social justice in relationship to people of color.

SHELOVES Magazine’s interview with Price features her art piece, “Not My Art History,” a powerful fiber-based work that reimagines history’s views of black art and black beauty.

“I hope that you can search your heart and see this piece and think: Huh, is art history really completely Eurocentric? Is what I’ve been taught from a very young age very Eurocentric, and why is that? Why are we not talking about all of the indigenous cultures that create beautiful things that we like to label as savage, as lesser-than, but not understanding the level of intelligence it takes to create something because they’re doing it with meaning?” Price says.

“Rug of Equality,” hand crocheted 4’m 2020, Andrea Price

Price advocates for the recognition of black artists, such as one of her favorite artists, Carrie Mae Weems. “Even throughout my whole educational experience, I think one thing that gets brought up so often is Kehinde Wiley. And I love Kehinde Wiley, but he is not the only person of color that is creating art about people of color,” Price told SHELOVES Magazine. She says that it’s necessary to backtrack through decades of the works of other artists and cultures that are “equally beautiful.” She says the writers of our history books are not telling the full story.

SHELOVES Magazine video interview.

Instagram: @andreaandherart

The UToledo Department of Art is proud to feature our alumni who are supporting inclusion and diversity in their careers and artistic activities.

Alicia Disantis, BA ’08, combines a set of artistic and entrepreneurial skills that have led her to establish a successful design and marketing firm, 38th & Kip, in Denver, Colorado. She also serves as brand manager at Aux in Lakewood, Colorado, where she develops and executes brand strategies that drive company recognition and profitability.

Her writing, graphic design and marketing expertise come together in marketing campaigns that include website design, print collateral, videos and trade show materials. Disantis’ own company provides creative pieces in various industries that include professional services, manufacturing, non-profit, technology and more. In the non-profit sector, Disantis has volunteered pro bono design services, including developing a targeted infographic for the Feline Foundation of Greater Washington, an animal welfare organization.

She founded 38th & Kip in 2010 with a mission to provide “exceptional, fairly priced marketing and design services to improve people’s lives.” Disantis’ business philosophy aligns with living in a just world, where fairness and equality are the norm, and the injustices of racism and bigotry are not tolerated. She says on the 38th & Kip website that her company is “committed to a better tomorrow.”

Disantis, who earned her bachelor’s degree in Studio Art, New Media, at UToledo, said about her professor, Deb Davis, “You know, I think of your classes often. You were challenging but your principles and passion for art stuck with me.” Alicia also earned a master’s degree in Arts, Entertainment and Media Management at Columbia College in Chicago. She graduated Magna Cum Laude from both colleges. She notes that she is inspired by retro design, Scandinavian minimalism, street art and bold colors. As an avid backpacker, she has traveled through many countries, stopping to visit as many museums as possible.

Product Promo Illustration Client: CU Service Network

Illustrations and type are hand-drawn, then scanned and colored.

Create concept and illustrations for product ads and a series of educational events that focus on specific services.

Aux Rebrand Client: CU Service Network

All rights 38th and Kip.

The UToledo Department of Art is proud to feature our alumni who are supporting inclusion and diversity in their careers and artistic activities.

Jym Shipman is currently the Member Experience Coordinator for the Sylvania YMAC/JCC at YMCA of Greater Toledo.  Jym Shipman, BFA ’04, reaches thousands of readers every week all over the world with his LGBTQ comic strip, “Diamond in the Rough.” Shipman launched the comic strip on his birthday, May 25, 2013, intending to expand the audience for stories about LGBTQ people. “My goal was to produce an LGBTQ comic strip that was family friendly,” says Shipman. When he decided to share his storylines, most LGBTQ comic strips focused on adults and many were sexualized.

“I want my readers to leave my strip with the ‘warm fuzzies,’ he says. “Even though many of my storylines are serious, I try to spin them in a way that uplifts the readers. It’s what I look for and read in the strips I follow.”

Two fellow cartoonists, Bart deGraaf and Tom Batiuk, offered Shipman support and nudged him to put his art out there for the world to see. He took their advice. While “Diamond in the Rough” began on Facebook, it now is published on Webtoon, Twitter, Instagram, Snapchat, Tumblr, Flickr, Reddit, Boredpanda, Tapas, Ello, and Tagpacker.

In the past, Shipman’s strip appeared in print, but most of the traditional print publications are either obsolete or transitioned to online only. “Universal Click and Comics Kingdom are the two all-in-one big players of the day,” says Shipman about current sites featuring LGBTQ comic strips. “It brings me joy knowing that the voices in my head that brought me comfort as a gay child and now as an adult are being viewed in physical form via “Diamond in the Rough” — not just locally or in the United States, but all over the world.”

Creating “Diamond in the Rough” helps heal the tough experiences of living an LGBTQ life, says Shipman, as does the feedback from his audiences. “Being LGBTQ is not a curse. It’s a blessing.”

University of Toledo Art Department faculty Eric Zeigler (assistant professor of art, Art Print Center coordinator) and Brian Carpenter (assistant professor of art, gallery director) received international recognition for a course they designed for the department. Their paper “Engaging Tools” was published this week by the international research organization, Architecture_Media_Politics_Society (AMPS) in its conference publication, “AMPS Proceedings Series 17.1. Education, Design and Practice – Understanding skills in a Complex World.”

Students working with tools in the Foundations of Art Studio Technologies at UToledo

Zeigler and Carpenter’s paper covers the development and implementation of a course they designed for The University of Toledo Department of Art – Foundations of Art Studio Technologies (FAST). The purpose of the course is to enhance a student’s understanding of themselves as “tool-users” and to reinforce the importance of agency that is developed through the process of “making.”

Brian Carpenter, Gallery Director and Assistant Professor of Art at the University of Toledo

The paper’s introduction states, “The paper examines…our approach for creating an environment where students understand the physical, historical, and philosophical relationships between tools; can operate and discern the components of tools, and begin to create a foundation to become a manually competent knowledge worker.”

Eric Zeigler, UToledo Assistant Professor of Art and Coordinator of the Art Print Center

“I would add that the course is a foundational component in a college career where an understanding of the components of the systems we live within needs more scrutiny and analysis than ever before,” Zeigler said.

The FAST course has been offered at UToledo since 2016 and is greatly appreciated by the students who have taken it. One remarked anonymously in a course evaluation, “I love that we are able to learn something conceptually, and then immediately apply it hands-on. This isn’t common in most classes, and I really appreciate this.”

The paper was presented last June at the AMPS conference. A compilation of all the papers presented was published this week and back dated to the date of the conference. https://architecturemps.com/proceedings/

Citation:
Zeigler, Eric; Carpenter, Brian. “Engaging Tools.” In: Ellyn Lester (ed.), AMPS Proceedings Series 17.1. Education, Design and Practice – Understanding skills in a Complex World. Stevens Institute of Technology, USA. 17 – 19 June (2019). pp. 160-165

Deborah Orloff, Associate Chair, Photography Coordinator, Professor of Art, New Media Studies – Photography

Deborah Orloff, professor of photography and associate chair of The University of Toledo Department of Art, has received an Individual Excellence Award from the Ohio Arts Council for her body of work, “Elusive Memory.”

According to the Ohio Arts Council website, the excellence awards “are peer recognition of artists for the exceptional merit of a body of their work that advances or exemplifies the discipline and the larger artistic community. These awards support artists’ growth and development and recognize their work in Ohio and beyond.”

Orloff said the $5,000 grant will be used to expand her “Elusive Memory” series and to exhibit it nationally.

The work was inspired by an experience she had following the death of her father in 2007 when she was preparing a eulogy for his funeral. While drawing upon specific memories, she realized all of them were directly connected to photographs, causing her to wonder if she remembered the moments, or if the pictures had created false memories.

“I wanted to make work about this phenomenon, but the project didn’t actually take form until many years later,” Orloff said.

“About five years ago, I inherited thousands of neglected prints and slides that had been in my father’s basement, where they were damaged by flooding. I started photographing them in the studio, not knowing what I would do with the images, but hoping to salvage some of the family pictures for posterity,” she said. “It wasn’t until I saw them enlarged on a computer screen that I recognized their poignancy and greater relevance: I saw metaphors for loss and the fragmentary, ephemeral nature of memory.”

Her new work utilizes the severely damage photos.

“‘Elusive Memory’ explores the significance of vernacular photographs as aesthetic objects and cultural artifacts. The resulting large-scale photographs make commonplace objects monumental and emphasize their unique details,” Orloff said.

The exhibition is on display at Workspace Gallery in Lincoln, Neb. Upcoming exhibitions include Youngstown State University’s Solomon Gallery, Vincennes University’s Shircliff Gallery in Indiana, and Anna Maria College’s Art Center Gallery in Massachusetts.

In addition, Orloff’s project was featured recently online at “Aint — Bad,” an independent publisher of new photographic art.

Samples of Orloff’s work can be seen on her website at deborahorloff.com.

Eric Thayer, who graduated from The University of Toledo in 2008 (Art History & BFA), has been selected to show in ImageOHIO 2016, an exhibition featuring photography, video, and digital media from artists living in or with roots in Ohio. Click the link to visit the show’s web site http://www.roygbivgallery.com/exhibitions/imageohio-16/

Eric Thayer’s blog www.thegreatchainsawjugglingact.blogspot.com

Eric Thayer is on Vimeo!

March 11 marked the beginning of a new collaboration between the Department of Art and The Stranahan Theater. A show of photographs by Eric Ziegler, called “From the Middle of Nowhere” was unveiled as it was announced that faculty from the Department of Art will be displaying their work at the Stranahan, in rotating exhibitions. Ziegler is the Lecturer of Multidisciplinary Art and Foundations in the Department of Art.

“The Stranahan Theater, widely known for its presentation of all forms of live performances, draws countless guests, both locally and regionally. As a result of this ability, our theater can, at any given event, have thousands of people within our four walls. What an opportunity to allow our blank walls to be a platform for visual arts, and, in the process, enhance our patrons’ experience! We recently contacted the University of Toledo about partnering with us for this very purpose and couldn’t have received a more willing and excited response. What a great venture for the two of us and for the public not only to see the great forms of art, but also to have the chance to purchase them!” – Stephen Hyman, Executive Director, Stranahan Theater & Great Hall

“I am excited to be partnering with the Stranahan Theater for this exhibition of three photographs, selected from my series “From the Middle of Nowhere.” This exhibition marks the start of what will certainly be a beneficial collaboration between two centers of creativity in Toledo. The theater will provide the University of Toledo’s College of Communication and Arts with a new platform to harness our creative power. I am looking forward to what may be possible in the future through this partnering.” – Eric Zeigler, Lecturer of Multidisciplinary Art and Foundations

“The Department of Art in the College of Communication and the Arts at UT is now partnering with the Stranahan Theater. We are bringing the visuals arts to this wonderful, landmark performing arts center. On a rotational basis, our faculty will be exhibiting their works in the halls of the Stanahan. We are excited that the exceptional work of our faculty will be highlighted at the Stranahan, giving audiences a chance to engage in our multi-sensory artistic offerings.” – Debra A. Davis, Dean – College of Communication and the Arts, School of Visual & Performing Arts, University of Toledo

Zeigler’s “From the Middle of Nowhere” photograph collection is currently on display in the upper balcony lobby of the Stranahan Theatre, located at 4645 Heatherdowns Blvd., in Toledo.