Artist Chad Rimer remembers the electricity he felt working in the foundry at the University of Toledo’s art department like it was yesterday.

“I miss the rush, the excitement, the glowing metal, the heat,” he said recently from Brooklyn, where he works as production manager for internationally known sculptor Tom Otterness. “You don’t know how your casting is going to turn out. It was fascinating to see what happened; did you do everything right, did it turn out well? It’s like opening a Christmas present.”

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