University of Toledo Art Department faculty Eric Zeigler (assistant professor of art, Art Print Center coordinator) and Brian Carpenter (assistant professor of art, gallery director) received international recognition for a course they designed for the department. Their paper “Engaging Tools” was published this week by the international research organization, Architecture_Media_Politics_Society (AMPS) in its conference publication, “AMPS Proceedings Series 17.1. Education, Design and Practice – Understanding skills in a Complex World.”

Students working with tools in the Foundations of Art Studio Technologies at UToledo

Zeigler and Carpenter’s paper covers the development and implementation of a course they designed for The University of Toledo Department of Art – Foundations of Art Studio Technologies (FAST). The purpose of the course is to enhance a student’s understanding of themselves as “tool-users” and to reinforce the importance of agency that is developed through the process of “making.”

Brian Carpenter, Gallery Director and Assistant Professor of Art at the University of Toledo

The paper’s introduction states, “The paper examines…our approach for creating an environment where students understand the physical, historical, and philosophical relationships between tools; can operate and discern the components of tools, and begin to create a foundation to become a manually competent knowledge worker.”

Eric Zeigler, UToledo Assistant Professor of Art and Coordinator of the Art Print Center

“I would add that the course is a foundational component in a college career where an understanding of the components of the systems we live within needs more scrutiny and analysis than ever before,” Zeigler said.

The FAST course has been offered at UToledo since 2016 and is greatly appreciated by the students who have taken it. One remarked anonymously in a course evaluation, “I love that we are able to learn something conceptually, and then immediately apply it hands-on. This isn’t common in most classes, and I really appreciate this.”

The paper was presented last June at the AMPS conference. A compilation of all the papers presented was published this week and back dated to the date of the conference. https://architecturemps.com/proceedings/

Citation:
Zeigler, Eric; Carpenter, Brian. “Engaging Tools.” In: Ellyn Lester (ed.), AMPS Proceedings Series 17.1. Education, Design and Practice – Understanding skills in a Complex World. Stevens Institute of Technology, USA. 17 – 19 June (2019). pp. 160-165

“Henrietta Catherine Cholmley and Son,” 1761, oil on canvas, by Sir Joshua Reynolds is included in “An Inspired Age” exhibit curated by UToledo students.

(Re-posted from UToledo News)

“An Inspired Age: Selections of 18th-Century European Art From the Collection” will open Saturday, Nov. 2, at the Toledo Museum of Art in Gallery 18.

“An Inspired Age” is organized by The University of Toledo Department of Art students in Art Museum Practices Exhibition and New Media Design Practices courses under the direction of Dr. Thor J. Mednick, UToledo associate professor of art history, and Dr. Lawrence W. Nichols, the William Hutton Senior Curator, European and American Painting and Sculpture before 1900 at the Toledo Museum of Art.

The temporary exhibition, running through Jan. 5, features 13 paintings and three sculptures.

The exhibition course, which is the last of three classes in the art museum practices curriculum, offers students the opportunity to work with a Toledo Museum of Art curator to develop an exhibition using works of art from the museum’s permanent collection. The purpose is to give students a hands-on understanding of the workings of a fine arts museum and to prepare them for a career in this field.

“The Toledo Museum of Art has a vast collection, and this allows visitors to see some of the art that has been off view while providing students real-life experience in many aspects of curating an exhibition,” Nichols said. “It has been rewarding to see the next generation of museum professionals use their education to develop this exhibition.”

The opportunity has been invaluable for the students, Mednick explained.

“Working with a world-class, private museum is a rare opportunity in museum studies courses,” Mednick said. “And to have the thoughtful and generous help of a senior curator is extraordinary.”

“An Inspired Age: Selections of 18th-Century European Art From the Collection” is sponsored by the Ohio Arts Council with additional support from 2019 Exhibition Program Sponsor ProMedica.

Admission to the Toledo Museum of Art is free. The museum is open Tuesday and Wednesday, 10 a.m. to 4 p.m.; Thursday and Friday, 10 a.m. to 9 p.m.; Saturday, 10 a.m. to 5 p.m.; Sunday, noon to 5 p.m.; and is closed Monday and major holidays. Thursday evening hours are sponsored by Huntington Private Client Group.

The museum is located at 2445 Monroe St. at Scottwood Avenue. It is by the Center for the Visual Arts on the University’s Toledo Museum of Art Campus.

For general information, call 419.255.8000 or 800.644.6862, or visit the Toledo Museum of Art website.

Toledo Blade article about the exhibition

Deborah Orloff, Associate Chair, Photography Coordinator, Professor of Art, New Media Studies – Photography

Deborah Orloff, professor of photography and associate chair of The University of Toledo Department of Art, has received an Individual Excellence Award from the Ohio Arts Council for her body of work, “Elusive Memory.”

According to the Ohio Arts Council website, the excellence awards “are peer recognition of artists for the exceptional merit of a body of their work that advances or exemplifies the discipline and the larger artistic community. These awards support artists’ growth and development and recognize their work in Ohio and beyond.”

Orloff said the $5,000 grant will be used to expand her “Elusive Memory” series and to exhibit it nationally.

The work was inspired by an experience she had following the death of her father in 2007 when she was preparing a eulogy for his funeral. While drawing upon specific memories, she realized all of them were directly connected to photographs, causing her to wonder if she remembered the moments, or if the pictures had created false memories.

“I wanted to make work about this phenomenon, but the project didn’t actually take form until many years later,” Orloff said.

“About five years ago, I inherited thousands of neglected prints and slides that had been in my father’s basement, where they were damaged by flooding. I started photographing them in the studio, not knowing what I would do with the images, but hoping to salvage some of the family pictures for posterity,” she said. “It wasn’t until I saw them enlarged on a computer screen that I recognized their poignancy and greater relevance: I saw metaphors for loss and the fragmentary, ephemeral nature of memory.”

Her new work utilizes the severely damage photos.

“‘Elusive Memory’ explores the significance of vernacular photographs as aesthetic objects and cultural artifacts. The resulting large-scale photographs make commonplace objects monumental and emphasize their unique details,” Orloff said.

The exhibition is on display at Workspace Gallery in Lincoln, Neb. Upcoming exhibitions include Youngstown State University’s Solomon Gallery, Vincennes University’s Shircliff Gallery in Indiana, and Anna Maria College’s Art Center Gallery in Massachusetts.

In addition, Orloff’s project was featured recently online at “Aint — Bad,” an independent publisher of new photographic art.

Samples of Orloff’s work can be seen on her website at deborahorloff.com.

Congratulations to CAL/SVPA faculty, Dan Hernandez, Thor Mednick, Denise Ritter-Bernardini, Stephen Sakowski, and Matt Yockey on being recognized in 2018 as faculty making Outstanding Contributions in Scholarly and Creative Activity. President Sharon Gaber and Provost Andrew Hsu sponsor the special recognition and the arts faculty received 20% of the University-wide awards.

Daniel Hernandez, MFA, Art Studio

Daniel Hernandez is represented by Kim Foster Gallery in New York, New York. Dan’s work is also found in Private and gallery collections nationally and internationally, including: Private Collection, Beth Rudin DeWoody, New York, Florida; Coleccion SOLO, Madrid, Spain – Colección SOLO is a dynamic and passionate quest to champion contemporary art. It is a vibrant, international collection, driven by a genuine commitment to creativity and the desire to bring inspirational artworks to the widest possible audience; Private Collection, Pierre Donnersberg, Paris, France; Gary Snyder Fine Art, New York; Private Collection, Phillippe Escaravage and Charlotte Forbes, New Jersey; Private Collection, Richard and Nadine Woldenberg, Chicago; Private Collection, Eric & Staci Flatt, New York; and Private Collection, Joseph & Beth DiProspero, London.

Hernandez’s paintings explore the visual dialog between religion, mythology, and pop culture. He is represented by Kim Foster Gallery in New York City. His work is exhibited widely in solo and group exhibitions and has been written about in a number of publications including ARTnews, HyperAllergic, Artillery Magazine, Arte Fuse, Gizmodo, Der Spiegel. Dan was selected for an Ohio Arts Council Individual Excellency Award in 2011 and in 2015.  Dan Hernandez creates intricate tableaux that blend religious iconography with the contemporary visual language of video games, two genres which somehow collapse seamlessly together in farcical send-ups of culture and society.

Thor Mednick, PhD, Art History

Thor Mednick specializes in the art of nineteenth-century Denmark, he has published on painters such as P.S. Krøyer and Vilhelm Hammershøi, and on the relationship of agricultural reform to nineteenth-century Danish landscape painting. He is the co-curator of From the Golden Age to the Modern Breakthrough: Danish Paintings from the Collection of Ambassador John L. Loeb, Jr. (New York, 2013) and Jorforbindelser: Dansk maleri 1780-1920 og det antropocene landskab (Denmark, 2017-2019).He is a former Fellow of the American-Scandinavian Foundation, the Ambassador John L Loeb, Jr Foundation, and the American Philosophical Society, and a legatee of the Danish Ministry of Culture. He has been a Visiting Scholar at the University of Copenhagen and the University of California at Los Angeles, and a Visiting Professor at Fuglsang Museum and Faaborg Museum, in Denmark.

In 2017, Mednick was invited by Dr. Karina Lykke Grand, Assistant Professor of Art History at Aarhus University, to be the international consultant on a major research project on art and national identity in nineteenth-century Denmark. The project has been given a grant of more than $1,000,000 (US) to support Dr. Grand, a doctoral student, a post-doc, and travel and research expenses for Mednick and another scholar from the University of Copenhagen. The grant comes from The Independent Research Fund, within the Danish Ministry for Higher Education and Science.

Dr. Denise Ritter Bernardini, PhD, Voice

Denise appears on both the concert and opera stage in music of many periods.  She is known for her ability to sing a variety of styles, her brilliant high notes, pure tone, communicative warmth and musical intelligence.  She has been a performer throughout the US with extensive Oratorio experience under the batons of world renowned conductors such as Robert Shaw and John Rutter. Her recent oratorio performances have included Verdi’s Requiem, Handel’s Messiah, Pergolesi’s Magnificat, Bach’s Missa in A Major, Dvorak’s Te Deum, and Mozart’s Requiem.

In addition, she has performed with orchestras such as Fort Worth Symphony, Tulsa Symphony, Fort Wayne Philharmonic, the Symphony of Bartlesville, Oklahoma, Oklahoma City Symphony as well as many other symphonic organizations. Denise’s operatic roles include her recently performed  Mother in Amahl and The Night Visitors, La Traviata in Charlottesville Virginia as Violetta as well as with Master Works Festival.

Denise has been a soloist in prestigious venues such as Carnegie Hall with the New York Pops as well as the Actor’s Club in New York. A recent performance of her one-woman classical cabaret show took her to Leibnitz, Austria where she performed for the International University of Global Theater to an audience representing thirty-two different countries.

Stephen Sakowski, MFA, Theatrical Lighting

Stephen Sakowski has worked as the Lighting Director or Assistant Lighting Director for the major entertainment/arts events listed above. His event and television lighting work, recognized at the highest level of production, is transferred to his university productions as well. 

Stephen has served as the Lighting Director/Assistant Director for the NBA All-Star Games. The National Basketball Association, (NBA) is a leading sports organization with an All-Star Game viewing audience of 7.175M in 2015, 7.614M in 2016 and 7.751M in 2017, respectively. Lighting for these half-time performances have been for some of the most internationally-known performers, including: Cirque du Soleil, Sting, The Roots, and John Legend.

Stephen has also won awards for his lighting design associated with The Kennedy Center American College Theater Festival, (KCACTF). KCACTF is a national theater program involving 20,000 students from colleges and universities nationwide annually. For 47 years, the organization has served as a catalyst in improving the quality of college theater in the United States. KCACTF has grown into a network of more than 700 academic institutions throughout the country. The regional groups are funded and administratively support by the Kennedy Center.

Matt Yockey,  PhD, Film Studies

Yockey’s research focus is on Hollywood genres and fan studies. His essays on these topics have appeared in journals such as The Iowa Journal of Cultural Studies, The Velvet Light Trap, CineAction, Transformative Works and Cultures, Journal of Fandom Studies, The European Journal of American Studies, and Studies in Comics, as well as the anthologies Critical Approaches to the Films of M. Night Shyamalan (Palgrave Macmillan, 2010), Superhero Synergies: Comic Book Characters Go Digital (Rowman & Littlefield, 2014), and The X-Men Films: A Cultural Analysis (Rowman & Littlefield, 2016). His monograph on the 1960s Batman television series was published by Wayne State University Press in 2014. He is the editor of the anthology Make Ours Marvel: Media Convergence and a Comics Universe (University of Texas Press, 2017).
Matt’s writings on culture and film can be found journals such as, the European Journal of American Studies and the Iowa Journal of Cultural Studies, and in book chapters published by such notable presses as, the University of Texas Press, Wiley Blackwell, Rowman & Littlefied, and Palgrave Macmillan. Matt also has an extensive listing of professional paper presentations.

SEPTEMBER 13-15

DOWNTOWN TOLEDO (PROMENADE PARK, IMAGINATION STATION OUTDOOR AREAS)

University of Toledo School of Visual and Performing Arts faculty and students are involved in the festival in a BIG way! We are presenting several attractions this year. Look for us on Saturday afternoon at the Mini Maker Faire (Noon-6 p.m.).  The Faire is the Greatest Show (and Tell) on Earth—a family-friendly showcase of invention, creativity and resourcefulness, and a celebration of the Maker Movement. It’s a place where people show what they are making, and share what they are learning. Makers range from tech enthusiasts to crafters to homesteaders to scientists to garage tinkerers. They are of all ages and backgrounds. The aim of Maker Faire is to entertain, inform, connect and grow this community.

UT ATTRACTIONS AT MOMENTUM

ALL TOGETHER NOW

JULIA LABAY DARRAH + YUSUF LATEEF (ALUMNA AND UT PART-TIME FACULTY)

All Together Now combines aspects of play, sculpture, and installation using interchangeable life-size forms. These lightweight sculptures will feature a conglomerate of images of the human body and will be placed on a stage, inviting participants to interact with the forms to create a “family photo”.

DIALOGUE WITH THE RIVER

BARBARA MINER (UT PROFESSOR OF ART, CHAIR OF THE DEPARTMENT OF ART)

Dialogue With The River will be a group completed project, enabling hundreds of people to participate in the creation of an aesthetically engaging, temporary work of art. Based on Tibetan Prayer Flags, hand silk-screened flags with environmental information about the Maumee River and Lake Erie printed on the colorful fabric will be created. The flags will be available for individuals to write on and create “dialogues”, “wishes” or “pledges” for the health of the river and the lake. The customized flags will then be strung on the tent like uprights, creating a moving wind-driven sculpture. The idea is that the wind will carry the good wishes and the promises out into the world in hopes that the newly gained awareness of the river’s plight will influence the choices each of us makes. Didactic materials from regional and national groups such as Partners for Clean Streams, The Black Swamp Conservancy, and the Nature Conservancy will be available for visitors.

ECO PARADE

MATT FOSS (ASSISTANT PROFESSOR OF THEATRE, UT DEPARTMENT OF THEATRE AND FILM)

Eco Parade showcases our community water source biodiversity, ecological need, and health with aims at improving our collective relationship and stewardship of the system as a whole. The parade will feature large format puppets and performance, live music, and community created objects; everyone will be invited to participate in the processional.

BUBBLE BUTT

SABA: SAM SHEFFIELD + BARRY WHITTAKER
(SHEFFIELD – BALTIMORE ARTIST, WHITTAKER – ASSOCIATE PROFESSOR OF ART, UT DEPARTMENT OF ART)

Players will work as a team to explore a surreal and humorous landscape as a pair of sentient pants. Players must work together by bouncing on a convoluted, two-person, human-powered interface to control each leg of the pants avatar as it journeys through a series of ridiculous obstacles and distractions. Enjoy this work on Saturday, September 15th at the Toledo Mini Maker Faire.

STEM

MATTHEW DANSACK + SEBASTIEN SCHOHN (UT ART ALUMNI)

Stem is a digital interactive media project using multiple song stems (tracks of one or two instruments used to make a song) to allow participants a chance to create new song compositions. By interacting with an installation of amps, record crates, and digital technology, users can arrange the stems to create and download a song. Special thank you to Vincent Chiaverini for guitar samples.

UT BIODESIGN CHALLENGE PROJECTS AND BIOMATERIAL DEMONSTRATIONS

Professors Brian Carpenter and Eric Zeigler, along with UT students, will present Biodesign Projects by student teams that will engage with the greater public in a dialogue about real-world issues and potential solutions through biotechnology. Students will exhibit their prototypes along with their research.  Many of the prototypes made use of a 3D printer, CNC lasers, and CNC routers.  Additionally, UT faculty Brian Carpenter and Eric Zeigler will be performing simple biomaterial demonstrations. These demonstrations explore low-tech methods and materials that encourage playful interactions, to stimulate creativity, enabling the end user to tinker, design and build their own devices and realize the potential of imagination.

A recent review from the  exhibition,

“Heterogeneous: States of American,” Josh Byers, David Cuatlacuatl, and Faith Goodman @ River House Arts

 curated by Brian Carpenter and the Contemporary Art Toledo exhibition that is currently up at River House Arts (featuring UT Art Department alumna Faith Goodman).

https://loranitude.wordpress.com/tag/toledo-contemporary-art/

© Mysoon Rizk, PhD / November 2016

On November 3, 2016, a colleague and I drove six students for an hour and a half to Oberlin, Ohio, to hear African-American artist Fred Wilson (b.1954) speak about his work on the occasion of two exhibitions he installed this past year at Oberlin College’s Allen Memorial Art Museum in this small college town (my alma mater). We were already familiar with the artist, each one of us having often admired his black glass sculpture Iago’s Mirror (2009), acquired by the Toledo Museum of Art (TMA) in 2010 — and currently on view in the TMA’s Gallery 6 for the temporary exhibition Shakespeare’s Characters: Playing the Part. Listening to a talk by the 1999 recipient of a John D. and Catherine T. MacArthur Foundation’s “genius” grant was inspiring and exciting. Getting to see his work in both a solo exhibition (Fred Wilson: Black to the Powers of Ten) and in the site-specific installation Wildfire Test Pit was amazing.

As a generous, instructive, insightful orator, Fred Wilson was spectacular, sharing slides as he described an artistic trajectory and longtime interest in understanding museums through their collections (“what’s there, what’s not there”). Starting out by invitation from the Maryland Historical Society, his attention began training on the Atlantic slave trade, the Indian slave trade, and movements of oil — or as he came to call such dynamics, Movement of Blackness. Giving form to institutional memory by “mining” museum collections, Wilson would feature decommissioned possessions, like slave shackles or a public whipping post, side by side with an institution’s finest silver and furniture. He spoke about installing over 50 portraits of Daniel Webster at the Hood Museum, in Dartmouth College, at the same time as a series of plaster cast busts identifying human specimens from around the world. In the case of the latter, Wilson hid racial inscriptions with sashes of mourning, to encourage viewers to see them as people, including a cast of Ota Benga, the Congolese youth exhibited at the World’s Fair in St. Louis, Missouri, in 1904 who would end up committing suicide in Virginia 12 years later.

In mining the Allen Memorial Art Museum at Oberlin, Mr. Wilson found himself magnetized by Edmonia Lewis whose story “remains obscured by rumor and mystery” as one scholar puts it. An orphan of African-American and Native-American heritage from New York, Lewis began to study art at Oberlin College in 1859. A few months after the Civil War had begun, she was accused of poisoning two (white) friends, beaten by a mob, arrested, and tried. Although acquitted, she remained a target and eventually left without graduating. Heading to Boston, she secured further artistic training, before taking up residency in Rome, Italy for a few years, where Lewis enjoyed success for her marble statuary. After returning to the States she disappears from the historical record. Wilson called the nineteenth-century sculptor a “guiding light” for his site-specific installation at the Oberlin museum, which he entitled Wildfire Test Pit for the Indian name given to Edmonia Lewis and the “archaeological term for a site you dig to see what’s there.”

Our field trip to Oberlin proved intensely rewarding, inspiring reflection long afterward: on the creative process, erasure and exclusion, the construct of race as well as concepts of time or memory, the roles of museums in compressing histories, individuals recorded and those forgotten, objects acknowledged and those to be buried. In the coming weeks, students will be sharing their own thoughts about the opportunity to hear from a practicing contemporary artist and to experience the work firsthand. Please stay tuned! Fred Wilson’s work remains on view at the Allen Memorial Art Museum until June 2017.

The UT Department of Music warmly invites you and your family to join us for one or both of two amazing holiday concert events!

Thursday, December 10 at 7 p.m., the UT Jazz Holiday concert—an annual favorite—will feature performances from all of the UT jazz ensembles, as well as special guests. The program includes a large selection of the best holiday jazz tunes. Come a little early to the concert to take photos with Santa and Mrs. Claus! Bring your cameras.

Then Sunday, December 13 at 3 p.m., the College of Communication and the Arts celebrates the season in style with its Holiday Showcase, a concert combining the musical with the theatrical. The concert is about one hour and 15 minutes and is perfect for the very young and young at heart. This concert also includes an appearance by Santa for photos with you and yours.

The students of the Art Department will hold a Holiday Art Sale before and after the CoCA Holiday Showcase concert. They will be selling student artwork, ornaments, pottery, jewelry and cards—perfect for holiday gift-giving. There will also be Art Department t-shirts and tote bags for sale. They will be happy to hold your purchases for you until after the concert. Proceeds from the sale benefit the students directly and will be used to cover the costs of student travel and scholarships.

Both concerts will be held in Doermann Theater in UT’s University Hall (the building with the University’s signature clock tower). Free parking is available in the lots nearest to Doermann (Area 13 and Area 1N). Plus, golf carts will be on hand to give you a lift to the door.

Tickets to either concert are $10 each and are just $5 for students, children and seniors. They can be purchased at the door or in advance through the UT Center for Performing Arts Box Office. Call 419.530.ARTS (2787) or go online to www.UToledo.Tix.com.

I hope you’ll join us this holiday season for one of these great concerts! For more concerts and events visit utoledo.edu/CoCAevents.